Deutschland Öl Gemälde Reproduktion, Kein Minimum!

 
 

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Pieter Aertsen

1508-1575 Flemish Pieter Aertsen Galleries

Gemälde ID::  173

Die Verehrung von den Hirten
Musee des Beaux-Arts, Rouen
Musee des Beaux-Künste,Rouen
1508-1575 Flemish Pieter Aertsen Galleries

   
 

 

 
   
      

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Giorgione

Italian 1476-1510 Giorgione Galleries

Gemälde ID::  1770

Die Verehrung von den Hirten
1505 National Gallery of Art, Washington DC
1505 Nationale Galerie der Kunst, WashingtonsGLEICHSTROMS
Italian 1476-1510 Giorgione Galleries

   
 

 

 
   
      

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ZURBARAN Francisco de

Spanish Baroque Era Painter, 1598-1664

Gemälde ID::  19142

Die Verehrung von denHirten
1638-39, oil on canvas, Mus??e des Beaux-Arts at Grenoble, France
1638-39, Öl auf Leinwand, Musee des Beaux-Künste an Grenoble, Frankreich
Spanish Baroque Era Painter, 1598-1664

   
 

 

 
   
      

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MENGS, Anton Raphael

German Neoclassical Painter, 1728-1779

Gemälde ID::  19377

Die Verehrung von den Hirten
1770 Oil on panel Museo del Prado, Madrid.
das Öl von1770 auf täfelt Museo del Prado, Madrid.
German Neoclassical Painter, 1728-1779

   
 

 

 
   
      


Gemälde ID::  27388

Die Verehrung von den Hirten
mk56 oil on canvas Venetian School,18th Century
mk56 Öl auf Leinwand venezianisches Jahrhundert

   
 

 

 
   
      

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El Greco

Greek-born Spanish Mannerist Painter, 1541-1614

Gemälde ID::  28509

Die Verehrung von den Hirten
mk61 c.1605
mk61 C. 1605
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      

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El Greco

Greek-born Spanish Mannerist Painter, 1541-1614

Gemälde ID::  28538

Die Verehrung von den Hirten
mk61 c.1605 Oil on canvas 319x180cm
das Öl vonmk61 C. 1605 auf Leinwand 319x180cm
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      

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GADDI, Taddeo

Italian Early Renaissance Painter, ca.1300-1366

Gemälde ID::  29698

Die Verehrung von den Hirten
mk67 Tempera on panel 18 7/8x16 15/16in
mk67 Tempera auf Unterausschuss 18 7/8x1615/16in
Italian Early Renaissance Painter, ca.1300-1366

   
 

 

 
   
      

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LORENZO DI CREDI

Italian High Renaissance Painter, ca.1458-1537

Gemälde ID::  29767

Die Verehrung von den Hirten
mk67 Oil on panel 88 3/16x77 3/16in Uffizi,Gallery
mk67 Öl auf Unterausschuss 88 3/16x77 3/16in Uffizi Galerie
Italian High Renaissance Painter, ca.1458-1537

   
 

 

 
   
      

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ASPERTINI, Amico

Italian Painter, ca.1474-1552

Gemälde ID::  29814

Die Verehrung von den Hirten
mk67 Oil on panel 17 1/2x13 3/8in Uffizi,Gallery
mk67 Öl auf Unterausschuss 17 1/2x133/8in Uffizi Galerie
Italian Painter, ca.1474-1552

   
 

 

 
   
      

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Francesco Salviati

Italian 1510-1563 Francesco Salviati Gallery

Gemälde ID::  29862

Die Verehrung von den Hirten
mk67 Oil on panel 33 7/16x42 1/2in Uffizi,Gallery
mk67 Öl auf Unterausschuss 33 7/16x42 1/2in Uffizi Galerie
Italian 1510-1563 Francesco Salviati Gallery

   
 

 

 
   
      

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MAZZOLINO, Ludovico

Italian Painter, 1480-1528

Gemälde ID::  29877

DieVerehrung von den Hirten
mk67 Oil on panel 31 5/16x23 13/16in Uffizi,Gallery
mk67 Öl auf Unterausschuss 31 5/16x23 13/16in Uffizi Galerie
Italian Painter, 1480-1528

   
 

 

 
   
      

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BRAMER, Leonaert

Dutch Baroque Era Painter, 1596-1674

Gemälde ID::  30022

Die Verehrung von den Hirten
mk67 Oil on panel 37 3/8x32 7/8in
mk67 Öl auf Unterausschuss 37 3/8x32 7/8in
Dutch Baroque Era Painter, 1596-1674

   
 

 

 
   
      

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Adriaen van der werff

Dutch Baroque Era Painter, 1659-1722

Gemälde ID::  30028

Die Verehrung von den Hirten
mk67 Oil on panel 20 7/8x14 3/16in Uffizi,Gallery
mk67 Öl auf Unterausschuss 20 7/8x14 3/16in Uffizi Galerie
Dutch Baroque Era Painter, 1659-1722

   
 

 

 
   
      

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GOES, Hugo van der

Netherlandish Northern Renaissance Painter, ca.1440-1482

Gemälde ID::  31269

Die Verehrung von den Hirten
1476-79 Oil on wood, 253 x 304 cm Galleria degli Uffizi, Florence
1476-79 Öle auf Holz 253 X304 cm Galleria degli Uffizi Florenz
Netherlandish Northern Renaissance Painter, ca.1440-1482

   
 

 

 
   
      

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GOES, Hugo van der

Netherlandish Northern Renaissance Painter, ca.1440-1482

Gemälde ID::  31270

Die Verehrung von den Hirten
1476-79 Oil on wood Galleria degli Uffizi, Florence
1476-79 Öle auf Holz Galleria degli Uffizi Florenz
Netherlandish Northern Renaissance Painter, ca.1440-1482

   
 

 

 
   
      

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GOES, Hugo van der

Netherlandish Northern Renaissance Painter, ca.1440-1482

Gemälde ID::  31271

Die Verehrung von den Hirten
1476-79 Oil on wood Galleria degli Uffizi, Florence
1476-79 Öle auf Holz Galleria degliUffizi Florenz
Netherlandish Northern Renaissance Painter, ca.1440-1482

   
 

 

 
   
      

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GOES, Hugo van der

Netherlandish Northern Renaissance Painter, ca.1440-1482

Gemälde ID::  31272

Die Verehrung von den Hirten
1476-79 Oil on wood Galleria degli Uffizi, Florence
1476-79 Öle auf Holz Galleria degli Uffizi Florenz
Netherlandish Northern Renaissance Painter, ca.1440-1482

   
 

 

 
   
      

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GOES, Hugo van der

Netherlandish Northern Renaissance Painter, ca.1440-1482

Gemälde ID::  31273

Die Verehrung von den Hirten
1476-79 Oil on wood Galleria degli Uffizi, Florence
1476-79 Öle auf Holz Galleria degli Uffizi Florenz
Netherlandish Northern Renaissance Painter, ca.1440-1482

   
 

 

 
   
      

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GOES, Hugo van der

Netherlandish Northern Renaissance Painter, ca.1440-1482

Gemälde ID::  31274

Die Verehrung von den Hirten
1476-79 Oil on wood Galleria degli Uffizi, Florence
1476-79 Öle auf Holz Galleria degliUffizi Florenz
Netherlandish Northern Renaissance Painter, ca.1440-1482

   
 

 

 
   
      

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GOES, Hugo van der

Netherlandish Northern Renaissance Painter, ca.1440-1482

Gemälde ID::  31275

Die Verehrung von den Hirten
1476-79 Oil on wood Galleria degli Uffizi, Florence
1476-79 Öle auf Holz Galleria degli Uffizi Florenz
Netherlandish Northern Renaissance Painter, ca.1440-1482

   
 

 

 
   
      

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GOES, Hugo van der

Netherlandish Northern Renaissance Painter, ca.1440-1482

Gemälde ID::  31276

Die Verehrung von den Hirten
1476-79 Oil on wood Galleria degli Uffizi, Florence
1476-79Öle auf Holz Galleria degli Uffizi Florenz
Netherlandish Northern Renaissance Painter, ca.1440-1482

   
 

 

 
   
      

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GOES, Hugo van der

Netherlandish Northern Renaissance Painter, ca.1440-1482

Gemälde ID::  31277

Die Verehrung von den Hirten
1476-79 Oil on wood Galleria degli Uffizi, Florence
1476-79 Öle auf Holz Galleria degli Uffizi Florenz
Netherlandish Northern Renaissance Painter, ca.1440-1482

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Gemälde ID::  34528

Die Verehrung von den Hirten
mk93 1646 Oil on canvas 38 1/5x28in Alte Pinakothek, Munich
das Öl von mk93 1646 auf Leinwand 381/5x28in Alte Pinakothek, München
Born 1606, Died 1669

   
 

 

 
   
      

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Jacopo Bassano

Italian c1510-1592 Jacopo Bassano Gallery

Gemälde ID::  40364

DieVerehrung von den Hirten
mk156 1544-45 Oil on canvas 140x219cm
mk156 1544-45 Öle auf Leinwand 140x219cm
Italian c1510-1592 Jacopo Bassano Gallery

   
 

 

 
   
      

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MAINO, Fray Juan Bautista

Spanish Baroque Era Painter, 1578-1649

Gemälde ID::  41003

Die Verehrung von den Hirten
mk159 Oil on canvas 143.5x100.5cm
mk159 Öl auf Leinwand 143.5x100.5cm
Spanish Baroque Era Painter, 1578-1649

   
 

 

 
   
      

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BUTINONE, Bernardino Jacopi

Italian Early Renaissance Painter, 1450-1507

Gemälde ID::  42977
The Adoration of the Shepherds
mk170 Circa 1480 Tempera on poplar 24.8x21.6cm
Italian Early Renaissance Painter, 1450-1507

   
 

 

 
   
      

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Guido Reni

1575-1642 Italian Guido Reni Galleries

Gemälde ID::  43087
The Adoration of the Shepherds
mk170 circa 1640 Oil on canvas 480x321cm
1575-1642 Italian Guido Reni Galleries

   
 

 

 
   
      

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Francisco de Zurbaran

1598-1664 Spanish Francisco de Zurbaran Galleries

Gemälde ID::  43643
The Adoration of the Shepherds
1638 Oil on canvas, 267 x 185 cm
1598-1664 Spanish Francisco de Zurbaran Galleries

   
 

 

 
   
      

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Francisco de Zurbaran

1598-1664 Spanish Francisco de Zurbaran Galleries

Gemälde ID::  51699
The Adoration of the Shepherds
nn09 1638-39 Oil on canvas 267x185cm
1598-1664 Spanish Francisco de Zurbaran Galleries

   
 

 

 
   
      

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El Greco

Greek-born Spanish Mannerist Painter, 1541-1614

Gemälde ID::  52658
The Adoration of the Shepherds
c. 1610 Oil on canvas, 144,5 x 101,3 cm
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      

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GRECO, El

Greek-born Spanish Mannerist Painter, 1541-1614

Gemälde ID::  62328
The Adoration of the Shepherds
1614 Oil on canvas Museo del Prado, Madrid The picture shows the head of one of the shepherds.
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      

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GRECO, El

Greek-born Spanish Mannerist Painter, 1541-1614

Gemälde ID::  62349
The Adoration of the Shepherds
114 x 105 cm Private collection In the eighteenth century this painting was attributed to Giovanni Lanfranco, and later to a member of the Bassano family. Since 1951 the authorship of El Greco is universally accepted. However, this picture owes a great deal to the nocturnal paintings of the Bassano. According to the X-radiograph the upper part of the canvas was completely repainted, and the canvas has been cropped at the top. Author: GRECO, El Title: The Adoration of the Shepherds , 1551-1600 , Spanish Form: painting , religious
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      

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Jacob Jordaens

Flemish Baroque Era Painter, 1593-1678

Gemälde ID::  82483
The Adoration of the Shepherds
Date ca. 1616(1616) Medium Oil on canvas Dimensions 157.7 x 118 cm (62.1 x 46.5 in) cjr
Flemish Baroque Era Painter, 1593-1678

   
 

 

 
   
      

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Angelo Bronzino

(November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.

Gemälde ID::  83246
The Adoration of the Shepherds
Date between 1539(1539) and 1540(1540) Medium Oil on wood cjr
(November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.

   
 

 

 
   
      

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Ridolfo Ghirlandaio

Italian High Renaissance Painter, 1483-1561

Gemälde ID::  83261
The Adoration of the Shepherds
Date 1510(1510) Medium Oil on poplar cjr
Italian High Renaissance Painter, 1483-1561

   
 

 

 
   
      

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Giulio Romano

Italian 1492-1546

Gemälde ID::  83263
The Adoration of the Shepherds
Date ca. 1535(1535) Medium Oil on wood cjr
Italian 1492-1546

   
 

 

 
   
      

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Angelo Bronzino

(November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.

Gemälde ID::  83288
The Adoration of the Shepherds
Date between 1539(1539) and 1540(1540) Medium Oil on wood cjr
(November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.

   
 

 

 
   
      

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Ludovico Mazzolino

(1480 - c. 1528) - also known as Mazzolini da Ferrara, Lodovico Ferraresa, and Il Ferrarese - was an Italian Renaissance painter active in Ferrara and Bologna. He was born and died in Ferrara. He appears to have studied under such as Lorenzo Costa, who also trained Dosso Dossi and Cosimo Tura, and came under the influence of Ercole Roberti. In 1521 he married Giovanna, the daughter of Bartolomeo Vacchi, a Venetian painter. Much of his work was commissioned by the duke Ercole I d'Este from Ferrara. Mazzolino was influenced by il Garofalo and Boccaccino. He is known for devotional cabinet pictures, in a style somewhat regressive, or primitive, relative to the modern classicism then emerging. For example, his Massacre canvas has a turbulent and cartoonish crowding. The exact date, or even year, of his death is not known, but he died during a plague which devastated the area.

Gemälde ID::  84592
The Adoration of the Shepherds
Date between 1520(1520) and 1524(1524) Medium Oil on wood Dimensions Height: 79.5 cm (31.3 in). Width: 60.5 cm (23.8 in). cjr
(1480 - c. 1528) - also known as Mazzolini da Ferrara, Lodovico Ferraresa, and Il Ferrarese - was an Italian Renaissance painter active in Ferrara and Bologna. He was born and died in Ferrara. He appears to have studied under such as Lorenzo Costa, who also trained Dosso Dossi and Cosimo Tura, and came under the influence of Ercole Roberti. In 1521 he married Giovanna, the daughter of Bartolomeo Vacchi, a Venetian painter. Much of his work was commissioned by the duke Ercole I d'Este from Ferrara. Mazzolino was influenced by il Garofalo and Boccaccino. He is known for devotional cabinet pictures, in a style somewhat regressive, or primitive, relative to the modern classicism then emerging. For example, his Massacre canvas has a turbulent and cartoonish crowding. The exact date, or even year, of his death is not known, but he died during a plague which devastated the area.

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  85751
The Adoration of the Shepherds
Date between 1476(1476) and 1479(1479) Medium Oil on wood cjr
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Jacob Jordaens

Flemish Baroque Era Painter, 1593-1678

Gemälde ID::  85932
The Adoration of the Shepherds
1616(1616) Medium Oil on canvas Dimensions 157.7 x 118 cm (62.1 x 46.5 in) cyf
Flemish Baroque Era Painter, 1593-1678

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  86542
The Adoration of the Shepherds
Date between 1476(1476) and 1479(1479) Medium Oil on wood Dimensions Height: 253 cm (99.6 in). Width: 304 cm (119.7 in). cjr
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Lodovico Mazzolino

Italian High Renaissance Painter, 1480-1528

Gemälde ID::  88450
The Adoration of the Shepherds
between 1520(1520) and 1524(1524) Medium Oil on wood cyf
Italian High Renaissance Painter, 1480-1528

   
 

 

 
   
      

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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640

Gemälde ID::  88904
The Adoration of the Shepherds
1608(1608) Medium Oil on canvas transferred from panel cyf
Flemish Baroque Era Painter, 1577-1640

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89030
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on wood cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Ridolfo Ghirlandaio

Italian High Renaissance Painter, 1483-1561

Gemälde ID::  89141
The Adoration of the Shepherds
1510(1510) Medium oil on poplar cyf
Italian High Renaissance Painter, 1483-1561

   
 

 

 
   
      

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Giulio Romano

Italian 1492-1546

Gemälde ID::  89155
The Adoration of the Shepherds
1535(1535) Medium oil on wood cyf
Italian 1492-1546

   
 

 

 
   
      

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Karel van Mander

Dutch Mannerist Writer and Painter, 1548-1606

Gemälde ID::  89904
The Adoration of the Shepherds
1596(1596) Medium oil on panel Dimensions 31.1 x 19.7 cm (12.2 x 7.8 in) cyf
Dutch Mannerist Writer and Painter, 1548-1606

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89942
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89943
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89944
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89945
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89946
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89968
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89969
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89970
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89971
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89972
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89973
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  89974
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Georges de La Tour

1593-1652 French Georges de La Tour Galleries

Gemälde ID::  90202
The Adoration of the Shepherds
c. 1644(1644) Medium oil on canvas Dimensions 107 x 137 cm (42.1 x 53.9 in) cjr
1593-1652 French Georges de La Tour Galleries

   
 

 

 
   
      

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LORENZO DI CREDI

Italian High Renaissance Painter, ca.1458-1537

Gemälde ID::  91124
The Adoration of the Shepherds
Oil on wood, 224 x 196 cm Galleria degli Uffizi, Florence Date c. 1510 cyf
Italian High Renaissance Painter, ca.1458-1537

   
 

 

 
   
      

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Jacopo Bassano

Italian c1510-1592 Jacopo Bassano Gallery

Gemälde ID::  95745
The Adoration of the Shepherds
between 1544(1544) and 1545(1545) Medium oil on canvas cyf
Italian c1510-1592 Jacopo Bassano Gallery

   
 

 

 
   
      

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Jacopo Bassano

Italian c1510-1592 Jacopo Bassano Gallery

Gemälde ID::  95746
The Adoration of the Shepherds
circa 1550(1550) Medium oil on canvas cyf
Italian c1510-1592 Jacopo Bassano Gallery

   
 

 

 
   
      

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Jacopo Bassano

Italian c1510-1592 Jacopo Bassano Gallery

Gemälde ID::  95747
The Adoration of the Shepherds
between 1590(1590) and 1591(1591) Medium oil on canvas cyf
Italian c1510-1592 Jacopo Bassano Gallery

   
 

 

 
   
      

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Bernardo Strozzi

1581-1644 Italian Bernardo Strozzi Galleries

Gemälde ID::  96134
The Adoration of the Shepherds
between 1616(1616) and 1618(1618) Medium oil on canvas cyf
1581-1644 Italian Bernardo Strozzi Galleries

   
 

 

 
   
      

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Ridolfo Ghirlandaio

Italian High Renaissance Painter, 1483-1561

Gemälde ID::  97209
The Adoration of the Shepherds
1510(1510) Medium oil on poplar wood cyf
Italian High Renaissance Painter, 1483-1561

   
 

 

 
   
      

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Giulio Romano

Italian 1492-1546

Gemälde ID::  97218
The Adoration of the Shepherds
circa 1535(1535) Medium oil on panel cyf
Italian 1492-1546

   
 

 

 
   
      

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Ridolfo Ghirlandaio

Italian High Renaissance Painter, 1483-1561

Gemälde ID::  97605
The Adoration of the Shepherds
1510(1510) Medium oil on poplar wood cyf
Italian High Renaissance Painter, 1483-1561

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

Gemälde ID::  97833
The Adoration of the Shepherds
between 1476(1476) and 1479(1479) Medium oil on panel cyf
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Amico Aspertini

(c. 1474 - 1552) is an Italian Renaissance painter whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered among the first of the Bolognese School of painting. He was born in Bologna to a family of painters (Guido Aspertini and Giovanni Antonio Aspertini, his father), and studied under masters such as Lorenzo Costa and Francesco Francia. He is briefly documented in Rome between 1500 - 1503, returning to Bologna and painting in a style influenced by Pinturicchio. In Bologna in 1504, he joined Francia and Costa in painting frescoes for the newly restored Oratory of Santa Cecilia in San Giacomo Maggiore, a work commissioned by Giovanni II Bentivoglio. In 1507-09, he painted a fresco cycle in San Frediano in Lucca. Asperini painted in 1508-1509 the splendid frescoes in the Chapel of the Cross in the Basilica di San Frediano in Lucca. Aspertini was also one of two artists chosen to decorate a triumphal arch for the entry into Bologna of Pope Clement VII and Emperor Charles V in 1529.

Gemälde ID::  98265
The Adoration of the Shepherds
1515(1515) Medium oil on panel cyf
(c. 1474 - 1552) is an Italian Renaissance painter whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered among the first of the Bolognese School of painting. He was born in Bologna to a family of painters (Guido Aspertini and Giovanni Antonio Aspertini, his father), and studied under masters such as Lorenzo Costa and Francesco Francia. He is briefly documented in Rome between 1500 - 1503, returning to Bologna and painting in a style influenced by Pinturicchio. In Bologna in 1504, he joined Francia and Costa in painting frescoes for the newly restored Oratory of Santa Cecilia in San Giacomo Maggiore, a work commissioned by Giovanni II Bentivoglio. In 1507-09, he painted a fresco cycle in San Frediano in Lucca. Asperini painted in 1508-1509 the splendid frescoes in the Chapel of the Cross in the Basilica di San Frediano in Lucca. Aspertini was also one of two artists chosen to decorate a triumphal arch for the entry into Bologna of Pope Clement VII and Emperor Charles V in 1529.

   
 

 

 
   
      

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Gaspare Diziani

(1689 - 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. His earliest training was in his native town of Belluno with Antonio Lazzarini, then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. He was seven years older, but otherwise his career was contemporary with the Lazzarini and Ricci fellow-pupil, Giovanni Battista Tiepolo. Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of San Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Dizianies celerity and technical assurance are evident preparatory oil sketches, with color applied in rapid and spirited strokes. He was also working as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, working with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a emagnificent decoration for the church of San Lorenzo in Damaso. The decoration is now known only through an engraving by Claude Vasconi. The Sala dei Pastelli in Ca' Rezzonico has an sotto in su allegorical ceiling fresco presenting Triumph of Poetry (Poetry surrounded by Painting, Architecture, Music and Sculpture).

Gemälde ID::  98434
The Adoration of the Shepherds
circa 1755(1755) Medium oil on canvas Dimensions Height: 117 cm (46.1 in). Width: 131 cm (51.6 in).
(1689 - 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. His earliest training was in his native town of Belluno with Antonio Lazzarini, then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. He was seven years older, but otherwise his career was contemporary with the Lazzarini and Ricci fellow-pupil, Giovanni Battista Tiepolo. Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of San Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Dizianies celerity and technical assurance are evident preparatory oil sketches, with color applied in rapid and spirited strokes. He was also working as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, working with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a emagnificent decoration for the church of San Lorenzo in Damaso. The decoration is now known only through an engraving by Claude Vasconi. The Sala dei Pastelli in Ca' Rezzonico has an sotto in su allegorical ceiling fresco presenting Triumph of Poetry (Poetry surrounded by Painting, Architecture, Music and Sculpture).

   
 

 

 
   
      

Gaspare Diziani
(1689 - 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. His earliest training was in his native town of Belluno with Antonio Lazzarini, then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. He was seven years older, but otherwise his career was contemporary with the Lazzarini and Ricci fellow-pupil, Giovanni Battista Tiepolo. Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of San Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Dizianies celerity and technical assurance are evident preparatory oil sketches, with color applied in rapid and spirited strokes. He was also working as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, working with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a emagnificent decoration for the church of San Lorenzo in Damaso. The decoration is now known only through an engraving by Claude Vasconi. The Sala dei Pastelli in Ca' Rezzonico has an sotto in su allegorical ceiling fresco presenting Triumph of Poetry (Poetry surrounded by Painting, Architecture, Music and Sculpture).
The Adoration of the Shepherds

        
 
   
 

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